Abstract painting with organic shapes in earthy tones, including green, white, red, and brown, featuring some pointed and rounded forms with dripping paint effects.

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TOOTH & CLAW SERIES

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DOUBT
2026

Acrylic, oil stick, charcoal and Indian Ink on canvas
120 × 120 cm
£4000

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Abstract painting with swirling shapes, earthy tones, and hints of red, white, and black
Abstract painting with swirling shapes, earthy tones, and hints of red, white, and black

TUSK
2026

Acrylic, oil stick, charcoal and Indian Ink on canvas
130 × 140 cm
£4000

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Abstract painting with swirling organic shapes, muted colors including pink, white, green, and brown, with some black circles and dripping paint effects.
Abstract painting featuring a white, ghostly figure with elongated limbs and a flowing form, set against a multicolored background with shades of green, yellow, brown, and black.

MERRY HELL (DIPTYCH)
2025

Acrylic, oil stick, charcoal and Indian Ink on canvas
200 × 340 cm
£5000

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DELIRIUM
2025

Acrylic, oil stick, charcoal and Indian Ink on canvas
150 × 150 cm
£4000

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Abstract painting with swirling pastel colors and dark central area.

MICROCOSM #4
2026

Acrylic, oil stick, charcoal and Indian Ink on canvas
50 × 50 cm
£950

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Abstract painting with swirling patterns in shades of red, brown, black, green, white, and yellow, resembling organic shapes and textures.
Abstract painting with swirling patterns in shades of red, brown, black, green, white, and yellow, resembling organic shapes and textures.

IN THRALL
2026

Acrylic, oil stick, charcoal and Indian Ink on canvas
100 × 100 cm
£3500

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Abstract painting with swirling colors, including pink, green, black, and white, in a modern art style displayed on a white wall.

THRESHOLD #1
2025

Acrylic, oil stick, charcoal and Indian Ink on canvas
100 × 100 cm
SOLD

Abstract painting with flowing forms and muted colors, including pink, white, beige, black, and brown, on a square canvas.

ENTROPY #1
2026

Acrylic, oil stick, charcoal and Indian Ink on canvas
60 × 60 cm
£1200

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Abstract painting with membranous shapes and swirling colours displayed on a white gallery wall

ENTROPY #3
2026

Acrylic, oil stick, charcoal and Indian Ink on canvas
60 × 60 cm
£1200

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Abstract painting with membranous shapes, teeth, and organic shapes in pastel and earthy colours.

FREAK SHOW
2025

Acrylic, oil stick, charcoal and Indian Ink on canvas
160 × 160 cm
£4000

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Abstract painting with swirling, organic shapes and muted earth tones.

THRESHOLD #2
2025

Acrylic, oil stick, charcoal and Indian Ink on canvas
100 × 100 cm
£2000

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Small painting of a tooth or claw motif, set against a dark background with some abstract shapes and black paint drips.

TOOTH & CLAW #3
2025

Acrylic, oil stick & Indian Ink on canvas
20 × 20 cm
£300

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Abstract painting of a tooth or claw motif, set against a dark background with a yellow circle above.
Artwork depicting fleshy, textural shapes and claw or teeth motifs, with a dark circular detail at the bottom left.

TOOTH & CLAW #5
2025

Acrylic, oil stick & Indian Ink on canvas
20 × 20 cm
SOLD

An abstract painting with a yellow background, featuring a large black circle, and a fleshy, textural shape with claw or tooth motifs

TOOTH & CLAW #7
2025

Acrylic, oil stick & Indian Ink on canvas
25 × 20 cm
£300

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Abstract painting with dark and muted colors, featuring hints of green, yellow, red, and white, with a white tooth or claw motif

TOOTH & CLAW #18
2025

Acrylic, oil stick & Indian Ink on canvas
20 × 20 cm
SOLD

PERIPHERY #1
2026

Acrylic, oil stick & Indian Ink on canvas
30 × 30 cm
£350

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‘I paint to create a place of freedom in which images and ideas can coexist and collide—strange, off-kilter portals and landscapes that envelop and overwhelm the viewer.’

Hannah Thomas (b.1973, Reading, UK) is a painter currently based in Wiltshire whose bold paintings seduce and overwhelm the viewer with evocative shapes and motifs emerging from colourful, fractured landscapes. 

My painting is about mystery, mood and the evocation of a metaphorical landscape that speaks of the horror and wonder of nature and human nature.

 I use a process of application and removal to create rich background layers, working instinctively with no preparation, the work shifts and morphs in the studio, gradually accumulating a sense of agency.  Additional shapes and motifs are added to filter in my own themes of absurdity and anxiety in my own particular language, drawing from the predation and relentless activity found in the natural world and its processes. 

 The aim is to unsettle and provoke a visceral response in the viewer, whilst for myself it is a cathartic process allowing me to grapple with things I find unpalatable or hard to reconcile about the human condition.

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A woman with glasses and long hair sitting on the floor in front of a large abstract painting featuring distorted animal faces and shapes, with smaller paintings leaning on the ground nearby.
Page from an art publication featuring Hannah Thomas. The page includes her name in large bold letters, a photograph of her seated in front of large colourful abstract paintings, and a brief biography.

Recent News

CURATORY MAGAZINE #17
Featured Artist
May 2026

View Here

Event poster titled 'Loop State' dated March 16 to April 16, 2026, with private viewing on March 16 from 2 to 6 PM, listing artists and curator, with locations and contact information, and featuring logos of 'D Contemporary' and 'Cream Athens'.
Exhibition poster titled 'Dual Natures' featuring abstract paintings by Hannah Thomas and Genevieve Leavold. The poster provides details about the opening night on Thursday, February 26th from 5 to 9 pm with an artist talk on Saturday, February 28th. The exhibition is held at Silk Mill Gallery, Saxonval, from February 28th to March 1st.

LOOP STATE
Group Show curated by Cream Athens
D Contemporary Gallery, London, UK
16 March - 16 April 2026

DUAL NATURES
Silk Mill Gallery, Frome, UK
28 February - 4 March 2026

View Details & Artist Talk here

Based in Wiltshire, UK

Email: art@hannahthomas.net

Tel. +44 (0)7866 550846

All images © Copyright Hannah Thomas